Showing posts with label Single. Show all posts
Showing posts with label Single. Show all posts

Monday, June 1, 2009

He's Back (And So Are We, Maybe)

Ok, enough boring shit on this blog.


Jay Reatard dropped a new single the other day (available as a free download at Matador) and lemme tell you, it may be the catchiest song he's ever written. Without betraying his noisy original Memphis punk sound, Jay brings a song to the table with all kinds of hooks and turnarounds that is sure to expand his audience. But by the end it leaves me wondering if he really he "really don't give a shit."

Boring shit terminated.

Wednesday, July 9, 2008

The Dragon Re-emerges

I don’t know if you know this, but it is summer. Come 80-degree weather, my playlists change. They become more fun, brighter, and also more goofy. Such was the case when I was scrolling through my iPod to find the 2000 hit “Thong Song.” I punched the center button, and was taken back to “those finer things in life.” I found myself singing ALL the lyrics with all the enthusiasm as my 11-year-old self did eight years ago. I began to wonder where this silver-headed Casanova, Sisqó, had been for nearly a decade. After some in-depth (wikipedia) readings on the subject, I discovered quite a bit about Mr. Mark Althavan Andrews (including his name!).

Before his solo career, he was the lead singer in the R&B group, Dru Hill. In 1999, the group broke up, each going to pursue a solo path. Sisqó was the only member to achieve any kind of success. His debut, Unleash the Dragon, had only moderate popularity until the drop of the second single, and inspiration for this article, “Thong Song.”

Chances are that you are familiar with the track, so I will not describe it in any further detail than the most quintessential MTV (Real World/Road Rules/Spring Break – Cancun-era) song that could ever be penned. Riding on the coattails of its predecessor, “Incomplete” helped propel Unleash the Dragon to sell four million copies.

After a failed attempt to reunite Dru Hill, Sisqó decided to pursue not only another album, but also a film and television career. Sisqó’s Shakedown premiered on MTV. It was a short-lived dance competition program that he hosted. In “film” he acted in “Get Over It,” a movie about a breakup and “Snow Dogs” a comedy with Cuba Gooding, Jr. (which I think is all that needs to be said about that).

Sisqó’s career in acting and television hosting didn’t take the climb he had hoped, so he put out another album: Return of the Dragon. Despite its unique and clever title, the album’s singles “Can I Live” and “Dance With Me” failed to perform. In light of the lack of radio play, the album eventually reached platinum by the massive amounts of people wanting another “Thong Song.” What these masses don’t realize is that magic like that is a once in a lifetime shot, and Sisqó nailed it. So well in fact, that people, including myself, can’t let it go.

It is a good thing, at least for Mr. Andrews, that we can’t let it go, because of late he cometed on the CMT show Gone Country, which had non-country artists compete for a country recording contract. (Damn you, Julio Iglesias, Jr. for winning!). But, even though he didn’t win, we can take solace in the fact that later this year, he is releasing the final part of the trilogy! The to-be released album, Last Dragon, has already delivered a single with a video to go along with it. “Who’s Ur Daddy,” which features the new artist E-money, is a poignant tale of Sisqó’s desire to impregnate a certain lady. His desire for conception, but his lack of triumph can be envisioned at 1:33, where the video shows a man failing to complete a handstand. However, Sisqó’s determination, confidence, and his goal-oriented personality bring him to victory come the end of the single when the video takes on a Photo Booth “Glow” quality. To me this represents Sisqó’s “glow” of being a new father.

Reflecting on this artist’s work and his various hair stylings, which include, according to wikipedia.org, “a bleached blonde Caesar, a platinum-colored Caesar (colored with silver spray-paint), blonde cornrows, a neonred dyed Caesar, and a bleached blonde Mohawk,” I can’t help but be consumed by the fervor of eventually Mark Althavan Andrews jumping out of my iPod video.


Wednesday, April 30, 2008

Jacket Full Of Danger


I downloaded this song from a decent music blog, it seems like forever ago and just recently discovered its greatness.
Adam Green co-formed The Moldy Peaches with Kimya Dawson in 1998, both of whom you may know from the semi-fabulous Juno motion-picture soundtrack. According to a certain wiki source, before pursuing his music career, Adam attended Emerson University in Boston for one semester. Emerson is a private liberal arts school with a current student base of about 3,800. Some other former Emerson students include Mrs. Bobbi Brown (make-up artist and CEO of Bobbi Brown Cosmetics), Tim "Johnny Vegas" Burton (Saxophonist of The Mighty, Mighty Bosstones), writer/comedian: Denis Leary, comic and Red Sox fan: Steven Wright, Late Night host: Jay Leno, the Wachowski brothers, and Henry Winkler (a.k.a. The Fonz).

Album, Jacket Full Of Danger was released in 2006. Green insisted that his first few solo albums were released on the 22nd of the month, though its debatable whether or not that is the case with Jacket. Adam Green's latest album, Sixes & Sevens was released on the 18th of this past March.

Anyway, my reason for posting this...
This is really my first experience with what is called anti-folk. I don't quite know what that means, but I can tell you that this song is the bastard of Sinatra-esque pop and modern keyboard driven hip-hop...
If that doesn't intrigue you, I don't know what will.
Green's smooth lyrics, which are almost rapped in a sort of low, sing-song baritone, are well-crafted but I have yet to get any sort of message out of the song aside from a possible frustration with persons of the female persuasion and specific literary figures. As short as the song is, it is lyrically impressive from beginning to satisfying end. With the first stanza(s) being the following, you are inexorably drawn into the full 1 minute, 40 seconds with no chance of escape... you get the point.

"All the women in the factory,
When their faces blow a fuse, it's a miracle.
I have to feed them facts to be alone.
Magnifico!

Oh, fellas and umbrellas in the middle of the night,
What you gonna do when the Mennonites bite?
Lock lips in the teddy-boy's Chevrolet?
Dutch tips and you're punked in the alleyway..."


Adam Green- Novotel
Karl Malone-stache (4 out of 5)

Tuesday, April 15, 2008

New Wolf Parade Song


Wolf Parade is back. After a three-year hiatus, the band has a new album coming out on June 17th. The much anticipated and still untitled album will be released by Sub Pop. "Call It A Ritual" is the first track to surface from this album. The song features a driving piano part and heavy drums. It reminded me of a more subdued "Kashmir", with Spencer Krug singing about deserts and Arlen Thompson pounding the drums. Overall, "Call It A Ritual" is a solid track, appealing but not outstanding. June 17th will prove whether Wolf Parade can rekindle the magic of Apologies to the Queen Mary.

Wolf Parade- Call It A Ritual

Friday, March 28, 2008

Rap Single- Royal Flush


The supposed single off of Outkast member Big Boi's upcoming solo album, Sir Luscious Left Foot, "Royal Flush" has guest appearances by both Andre 3000 and Raekwon. This could be a song off of an Outkast album though, with Andre 3000 basically taking the song over half-way through with an incredible verse that tackles the connection between drug dealing and rap among other issues. Big Boi and Raekwon both contribute stellar verses but Andre 3000 seems to be on a whole other level, rapping, "Unfortunate that if you come up fortunate the street consider you lame/ I thought the name of the game, was to have a better life/ I guess it ain't, what a shame." If this is any indication of the quality of the tracks on Sir Luscious Left Foot, rap fans are in for a treat later this year.

Big Boi feat. Andre 3000 & Raekwon- Royal Flush

Friday, March 14, 2008

Oh, Mr. Gibbard, You Are Such the Tease

As many people already know, Amazon put up a clip of Death Cab's new single "I Will Possess You Heart." I looked and looked for it after I heard about it, but Amazon had taken it down. After I had almost abandoned my hope, and just planned to find it after the single dropped in four days, I visited my pal, Wikipedia. And on this glorious site, there was a link to the clip. I suggest you check it out. It is very much a jam. Some of you may recognize it as the same song that was previewed in their video on their site. Now, only 30 seconds are here, but they fucking rock.

How my heart aches for May 13th.

And now that Spring Break is ending for me, here you go.

Thursday, March 6, 2008

Black Kids Announce Single, LP

The single off the upcoming, and untitled debut album (expected in July 2008) by Black Kids is the obvious "I'm Not Gonna Teach Your Boyfriend How to Dance With You." The single will be released on Almost Gold Recordings in the UK on April 7. What this means for us stateside, I don't know, but I better be able to get my hands on this single somehow. "Boyfriend 2.0," as it has been deemed by Black Kids, is slightly reworked, but varies so little that anyone that hasn't listened to Wizard of Ahhhs on repeat since its release would have a hard time telling the difference. Tacked on the back of the single are two covers, "You Turn Me On" by Beat Happening and "Damn I Wish I Was Your Lover" by Sophie B. Hawkins. Also included if you buy off iTunes is The Twelves remix of "Boyfriend."

If you can't wait for the single to drop, one half of the single is streaming on their MySpace.

Monday, February 25, 2008

New Tapes 'n Tapes


Tapes 'n Tapes released the first single off their new album about a week ago. "Hang Them All" is off of their album Walk It Off, which is scheduled to be released on April 8th. I enjoyed their first album, The Loon, giving me high expectations for their second LP. After a couple listens, "Hang Them All" is a solid song, not straying too far from the sound that made The Loon so great. Have a listen for yourself and tell me what you think about it.

Tapes 'n Tapes- Hang Them All